Reviewing Books for Madness Heart Press (And Other Changes)…

I’ve written a couple of reviews over at Madness Heart Press’s blog–check it out, here: https://madnessheart.press/blog/.

I’ll be working on rewrites and edits on my horror manuscript for the next couple of months, as well.

And, I’m considering a move to another realm in the internet world, and I’ve comparing Wix and Weebly and other such website homes. I’ve not been happy with WordPress for a while–I could use a ton of words to describe it–but I’ve put it off and put it off, because packing up something as simple as an internet presence is overwhelming. 

Speaking of packing up and moving on, my internet issues and phone issues (i.e. I can’t get internet at my house, and won’t be able to get cell phone service early in the next year), and a myriad of other issues with New Mexico have forced my hand in terms of relocation. Not to mention that it’s been difficult to break into the job market here, in terms of finding a job with a liveable wage.

So I’ve been looking at different cities around the country (and the world!) to begin a multiple-step move.

If where you live is absolutely fantastic, feel free to share your locale and what you love about it, in the comments, and I’ll add it to my research list! Also, if you use Wix or Weebly or have another suggestion for a blog/website host, please share those as well.

Meet My New (Imaginary) Friends—The Little Fears (created by author/artist Peter Edwards)

(Caution: Sleepy-writer thoughts lie ahead.)

Writing.

More isolating than I expected.

And I love being alone.

It feels safe.

But writing brings on a whole different kind of aloneness.

It’s not a very still and quiet alone.

Too many pesky thoughts and ideas. Too many noisy inner voices.

Things start to get muddled up.

In a surreal Dali-esque mad artist kind of way.

You begin to want a real presence. (As I allude to in my poem Tidal Pool).

But people are also distracting.

And you have a book to write.

Unlike your characters, you can’t customize your interactions with people.

Which makes you feel lost. Full on, fairy-tale-waif-in-the-woods lost.

And, so, when I sat down to compose this review of Peter Edwards’ books, I was trying to figure out where to start.

Then a thought spoke.

Just one.

It said “The Little Fears are good company.”

Granted, probably not the kind you would bring to the office party.

Or to your neighbourhood potluck.

But they are, strangely enough.

The quirky nature of the Little Fears helps banish the feeling of alienation you get from the day job and the real world.

“I’m not so odd, after all,” you tell yourself. (Even though you have developed the bad habit of talking to yourself ever since you first decided to become a writer.)

Oh, the art, too. It tickles something in my (Jungian, I hope, not Freudian) subconscious. Like when Peter invited his blog followers to create something based on his art and characters.

Durthi, the plant shaman, was very evocative for me—I love the idea of plants and animals having powerful agency against humans.

Overall, in decrypting the pun-based humour of the little stories, your mind focuses; becomes grounded. And then the laughs come. Or groan, as the back of some of his Little Fears books proclaim.

But I find myself chuckling more often, when I read his books and his blog posts.

They not only take the edge of my ever-circling mind, they take the edge off my horror-in-real-time, confusing, mucky mess of a life.

And I don’t feel so lost.

Or alone.

For I have Edwards’ Little Fears to keep me company. (Visit his blog here: https://littlefears.co.uk/)

(My favourite pun was the Stephen King cameo, by the way. In case you were wondering…)

Adopt some of your own Little Fears on Peter’s Etsy page: https://www.etsy.com/uk/shop/LittleFears.

Little Fears books by Peter Edwards:

Capricorn

Grey Moon

January

Seeking Hydra

Spiders

Are there ANY bad restaurants in France?

 

Why, yes! Well, according to Alexander McCall Smith in his latest Paul Stuart novel, The Second-Worst Restaurant in France. (I still find it hard to suspend disbelief that France could have a terrible restaurant. Hence the appeal of Smith’s great title!)

But this book was delicious enough to make up for the book’s restaurant that’s being run into the ground by a restauranter-hopeful named Claude.

It reminded me of how much I love to read. More than that, though, it also appealed to my former self that used to work in the restaurant biz, and loved shows like Restaurant Impossible and Kitchen Nightmares back when I had access to cable in a non-rural, non-frontier locale. This book is a great literary version of that.

But, more than that, I found that the side character of Chloe (Paul’s mysterious and unconventional cousin) upholds what Alexander McCall Smith does best–using the main character to develop secondary characters that are just as interesting, if not more so, than the main character. And, without giving away too much, I also related to the character of Hugo–a sensitive individual trying to create his own life based on his ideals and passions. During the course of his journey, he’s aided by Paul in fulfilling these dreams. And I can really relate to Hugo at his stage in life, even though he’s a lot younger.

(This review contains spoilers!)

This is where I struggled with the book. I love the works of Alexander McCall Smith that I’ve read but my own life development stage and mindset as I enter middle age sometimes made The Second-Worst Restaurant in France an emotionally fraught read. And, boy, did I have bias in spades that was hard to put aside while I read the book that I won via a Goodreads giveaway hosted by the publisher, Alfred A. Knopf.

But that’s also the great thing about reading. It’s just you and the book and the characters that feel real enough to debate with in the privacy of your own mind and feelings.

As most writers will agree. Especially when you find out that Paul Stuart can’t work in his apartment where, for some reason, his girlfriend has decided to bring her noisy two cats for a staycation at his apartment, even though she has a flat of her own.

Anyone who’s ever had cats would be like “why on earth would she do that?” Naturally, the cats complain a lot to Paul about the situation, but he’s got a book to write, and eventually has to relocate his writing space into another apartment that Chloe offers him use of.

Poor Paul.

But the apartment doesn’t suit him either, as there are a bevy of young people upstairs doing what they do best–making sure everyone knows they are there with lots of loud music. 

And poor Paul ends up in a silly man-predicament with the younger woman, where he swears the interaction they have in the store is “innocent” to his girlfriend Gloria, who witnesses the weird olive-feeding interaction that somehow gets mistaken for a kiss. Let’s hear it, everyone: a big, resounding “Innocent, my a**!” *laugh*

So, poor, poor Paul has to pack up and relocate to the French countryside to finish his book that he doesn’t even want to write, but in between lecturing his experienced, worldly secret agent cousin about how to act and think, and nurturing poor, belittled, sensitive, chef-hopeful Hugo in fulfilling his cooking-promise, he realizes he doesn’t want to write the book he was working on, about the philosophy of food, and he also realizes that nobody will want to read it, either, despite the fact that his influential editor/girlfriend Gloria has pulled strings and gotten a publisher to back it.

So, wonderfully understanding and supportive Gloria arranges a whole other wonderful project for Paul to undertake, all the pieces fall into place, and everything is happily ever after–all thanks to Paul, presumably, not Gloria and Chloe (who comes to the aid of a local mother-to-be in an unconventional and fascinating way)–in the idyllic French countryside villa that I, and a million other hardworking writers who are also working day jobs (like me) and (unlike me) also trying to raise kids and maintain romantic relationships, are probably thinking that poor Paul is anything but poor.

But it’s proof positive that a main character doesn’t have to be likeable in order for you to fully engage with a book. And that’s why I like books so much. So much diversity there that gets left out of movies.

And, despite my mixed critique of Alexander McCall Smith’s book (which, again, I liked so much I read it twice!); yes, I’m a fan! I would definitely read more of the Paul Stuart series, including his first book in the series, and others. It comes down to the writing, which is, as always with Smith, so good!

And the No. 1 Ladies’ Detective Agency is fabulous, of course! Visit Alexander McCall Smith and discover his fantastic writing and compelling characters for yourself, here: https://www.alexandermccallsmith.com/.

 

Under a “Hunter’s Moon” with Philip Caputo

Book Review: Hunter’s Moon by Philip Caputo

Well, of course, I read his A Rumor of War in history graduate school. So, I was excited to receive a copy of Hunter’s Moon: A Novel in Stories in a giveaway hosted via Goodreads.

Not to stereotype, but I’m pretty sure I’m not Caputo’s target audience. A) I’m vegetarian B) If it were the zombie apocalypse, I’m pretty sure I would starve to death rather than hunt (and eat) one of my beloved animal friends.

But who knows what you would do in that scenario to survive? Maybe I’d be a pretty good hunter and gatherer. Which is why these stories surprised me, in much the same way as if I would become the Darryl (from Walking Dead fame) with his hunting acumen. But, even in my writerly let’s-get-a-story-from-them daydreams, I still can’t imagine shooting an animal.

Because of that, I wanted not to like this story collection.

I’m not even really a fan of general fiction. I’m a genre reader, pretty much these days.

So that’s at least two strikes. The third being that I’m getting more and more women-centric these days–way above and beyond my usual feminist beliefs. Men have had the limelight for long enough in this world.

But the writing won me over. The good old turn-of-the-phrase. Haunting, sparse, compelling me to read on.

And, because, as I’m entering into the confusing swamp of middle age, these stories all had a theme I could relate to.

I don’t know what to call it, really. A loneliness that feels like an old friend. A poignant seeking for something that will not be able to be resolved as long as we’re still sitting in the box called the human condition. A quality that reminds me of the kid that so wanted to be a child of the forest and the wild, instead of living among people, and yet was drawn indoors by the lure of sustenance, or the fear of punishment.

Of being alone, still, among all the other seven billion and counting people on this planet, taking up more and more space. And that it is, in fact, even more lonely for people like me.

It’s a transition that I haven’t come out the other side of yet. But the stories captured in Hunter’s Moon tell me that maybe I don’t have to know, yet. I can just sit with it a while, under the hunter’s moon, until the sun rises on the next part of my life. Or that the moon keeps an eternal watch on this, the end times (sans zombies).

(I received this book via a giveaway hosted by the book’s publisher/author via Goodreads.)

 

 

Dancing Through Time and Space with Michael S. Fedison’s The Eye Dancers

Review: The Eye Dancers by Micheal S. Fedison

(possible spoilers, though I tried not to reveal too much)

I won’t be presumptuous enough to claim that I understand what it’s like to be a kid today, but I can speculate that some things never change.

And I haven’t forgotten, even after all these years, what it was like for me to be a kid.

What it felt like being bullied. The fear. The dread of having to go to school every day. The loneliness. Being left out of things by the popular or cool kids. The alienation coming at me from all sides. Always the misfit, and the last to be picked for the team.

How the classrooms felt airless: like you were drowning or suffocating. A tomb. A punishment that matched the cruel one that waited for me in the halls.

How the tiniest sounds and faintest smells seemed magnified in the forced silence and seemed to claw into your brain until you wanted to scream. Or to run and run and not come back. Or at least run as far as the school bathroom where you could get a breather from the stress of being cooped up. How you never felt like yourself until the last bell rang.

For me, it felt like hell on earth.

And the worst part of it all? What it felt like when no-one listened to you, or took you seriously?

Matter of fact, as a grown woman, I still face that sort of patronizing attitude. And it makes me just as angry as it did when I was a kid.

But, as an adult, as a teacher, I get it. Well, sort of, since I’m not a parent. But I imagine that it’s so hard to walk the line between giving kids a chance to be kids, but wanting to keep them safe.

The world–my world–was a confusing, ugly, terrifying place back when I was a kid–one I wouldn’t want any kid to have to live in.

And in the middle-grade/young adult book The Eye-Dancers, things haven’t changed much, in that aspect, in either of the book’s two worlds.

But the kids in Michael S. Fedison’s book? They don’t wait for grown-ups to listen. They act when they are suddenly thrust in a scary situation. They not only cope, but they keep fighting, although the odds are against them. They do this by joining forces, by combining their strengths, and forging bonds with those they wouldn’t ordinarily be friends with, as a way to navigate the challenges they face. Challenges that could be very real for many children today, but one that Fedison handles with appropriate discretion for the kids he’s writing for.

Could it be a Goonies-like book for young people of this generation? I don’t know. I don’t even know if I’m reading into the book’s premise too much with my grown-up mind, but I would love to have kids reading something that shows young people they can have agency, that they can make things better, that they can change worlds with their actions. That they can still be heroes even if they’re scared and confused and unsure of themselves, and their place in the world. That within all of this coming-of-age madness, there can be moments of hope that will carry them through the darkness of life’s changes. And that, as I think Fedison’s character Mitchell Brant realizes, are the things that can make reality as wonderful and sustaining as our youthful dreams (referenced from pages 317-320).

My hope is that books like this are enough to carry them into finding their dreams as they move into adulthood. And I hope that adulthood doesn’t come too calling too soon for them–that they still have a chance to be kids no matter how the world changes around them.

(I’m considering donating this book to one of the local school libraries. After I read the follow-up Singularity Wheel, of course! Or I’ll just hoard it with all the rest of my books, most likely.)

 

The Once and Future Greece

 

Ah, Greece.

Classical architecture, timeless culture, glistening seas, golden beaches, and…the latest in cutting-edge AI technology.

This opens Nicholas Rossis’ suspenseful romance, A Heaven for Toasters

     Sadly, I have never been to Greece, but that made it even easier to immerse myself into this futuristic romance. Although I don’t have a toaster of my own to fall in love with, the ones I dream over in the Victorian Trading Company catalog are a very alluring alternative.

     As you probably already guessed, the toasters in Rossis’ book aren’t actual toasters; they are androids. Apparently, the human race doesn’t get any more PC in the future, European charm notwithstanding, and they slap this disparaging term onto their own creations. Never mind that the main character, herself, relies on augmentations to her own body–like hololenses and an biologically implanted link to her police station’s AI system.

This dynamic comes into play when the book’s protagonist, Detective Mika Pensive, is assigned to work with a toaster. She grudgingly accepts working with her new by-the-rules partner on her latest case. It’s a perplexing case that takes them through the artistic fringe society of Hydra and deeper into Clonesville–Clonesville being the village-like refuge for the clones created after scientists were no longer permitted to clone sentient humans. The duo’s budding relationship is fostered by their determination to uncover the secret evil lurking underneath the paradisal atmosphere of these Greek islands.

I’ll try not to give too much away about the book, but I especially loved the Detective Pensive’s visits to the artist colony. The only fault I could find in the book is that, having never been to Greece, but equally in love with most of Europe/overseas culture, I wanted more “flavour of Greece” in the book. Having said that, setting it in Greece definitely made this speculative-fiction read all the more distinctive. 

Take a journey to futuristic Greece yourself by acquiring Nicholas Rossis’ book here: https://www.amazon.com/Heaven-Toasters-Sci-Fi-Romance-Islands/dp/1724773410/.

Now, if you’ll excuse me, I’m off to find a Greek restaurant for a “make-do” Greek flavour experience–that is, if there is such a thing in this frontier state. Here’s hoping that the author returns to Mika’s and Leo’s world sometime in the near future!

 

In addition to the blog link I posted above, you can also visit Nicholas Rossis at this website: http://nicholasrossis.me/.

 

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The Journey Back to Earth

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Whew, finally getting around to reviewing some books for #writingwednesday!

First up, Versions of the Self (poetry) by Christy Birmingham.

Linky links:

Amazon

Goodreads

Christy Birmingham’s When Women Inspire blog: https://whenwomeninspire.com/

Twitter: https://twitter.com/christybis

Review:

I’ve followed Christy Birmingham’s blog for years, and, likewise, she’s been a strong supporter of mine. I think she was one of, if not the first, who purchased my book of poetry when I self-published (Oh, Createspace, how I miss thee!). But this is the space for honest reviews, and, being an honest, ethical, straight-arrow type, with a healthy dose of blunt forthrightness, here goes my honest review. (Please, stick with me to the end of the review.)
I wasn’t sure how I felt about this book, the first time I read through it. I felt somewhat removed from the poems within, and I couldn’t understand why. As a woman, going through what seems a similar journey of self-transformation, why was I feeling unsettled? Why didn’t it grab me straight from the beginning?
It wasn’t until I sat down to write this review that I realised what was giving me this sense of disquiet. I spend a lot of time in other realms. The theme of my own poetry book is all about journeys to other worlds. Alternate dimensions, astral travel, tandem dreaming, visits to fairyland–however you want to classify it, it has very little to do with the “real” world. And my short stories reflect more of the same–fantastical, surreal, spooky, and a little escapist (or so I hope!). I spend so much time up here in my head, or a million miles from it, that I’m not very present. I constantly receive gentle instructions to become more grounded, to visualise coming down into my feet. But it’s not a place where I’m most comfortable. I want the deep vastness of space; of the ocean. Of anywhere but here on Earth.
Christy’s poems reflect exactly that sort of grounded earthiness I’m constantly trying to avoid. Being present, being in the moment. Being real, no matter how much it hurts. Or how confusing it is. From my way-out-there, interdimensional traveller perspective, I see her as a very present poet. And I’m also not used to reading that in poetry.
And it’s a necessary, and lovely, stability in the rareness of the feeling her poetry inspires. With each poem brings another block to lay on the foundation under my feet. As a woman, as a denizen of this planet no matter how much I dream myself otherwise, she connects me back to the Earth under my feet; to my own “Version of Self” that connects with lines of her poems.
“Gliding under Water” reminds me of the simplicity of being a young girl in a pool; a time where my sensory experiences were more immediate. Though her work is titled “Versions of the Self,” I see it more as a stripping away of those versions to achieve a strong core, bringing us along with her as she goes back to basics. To having strong roots. And water, ironically, also helps root the reader in a very real, relatable experience of loss and change, in her poem “Within a Few Feet”. We have no choice to be present right along with the poet, because her pain is ours. It’s a pain that, sadly, lies in most women, and maybe the human race in general.
Lastly, she reminds me that it’s okay to be down here, in the muck and mire that is Earth, to “start at the bottom” (from “Bottom of the Waterway”). Because it’s only from there that we will learn to fly.