Writing Your Way into the Deep End . . . of Inspiration!

As writers, we all chase after the glittery, sparkly, alluring muse known as Inspiration.

But, with the COVID restrictions, maybe some of you have found your inspiration wellspring drying up.

Myself, I go for long walks in one of Wichita’s local cemeteries and look at the names on the tombstones, and watch geese and a pair of soon-to-be nesting hawks.

I hate to admit to you all that even with stay-at-home COVID, I rarely am at a loss for ideas. I sit down and scribble a bunch of random phrases all over a piece of paper that ends up looking like a drunk spider trying to make a web. And then I have a story. After I’ve written it, I give it some space, and then I edit. And edit. And edit. Then I tell myself to stop procrastinating and I send it off. *cue Titanic film score music* And I wait. Wait for acceptances. Wait for editorial suggestions from the editor(s). Wait for a bird to fly past the window so that I can take my mind off all the waiting.

So, while inspiration isn’t a problem for my short stories, I’m still haunted by an entirely different spectre (Hello, ADHD!) that chases after more tangible sparkly things; my mischievous cat, for one, or the birds outside the window, or wondering if my neighbour(s) are building entire rocket ships from scrap metal in their livespaces, and wishing that I could join in the fun, if so.

Where I struggle is outlining. Outlining, plotting, and hitting the word count needed for a full-length manuscript.

(Yes, probably even editing, too, but I believe every writer needs an editor.)

I’m working on two projects right now. One’s a spooky horror manuscript; the other is a…motivational book?…for lack of a better term. They’re both off to a fairly decent start as long as I don’t suggest that the road to personal bliss and growth involves a detailed process of dismemberment for one’s enemies.

But when I do have trouble focusing, I change the background music (film/tv/video games scores or classical), I meditate (aka take a nap!), or I’ll even pull tarot cards for inspiration.

(I shared a sample tarot card reading over at The Horror Tree for February. https://horrortree.com/wihm-using-tarot-cards-for-writing-inspiration/ Stay tuned over there for the March reading, coming up soon!)

Sometimes, though, you need something a little meatier for a full-length manuscript. And so I selected a book for my holiday-Amazon-gift-card spending spree called Write Horror Good Enough to Wake the Dead by Christina Escamilla (https://www.goodreads.com/author/show/7828668.Christina_Escamilla) to help me overcome my issues with “Pacing”, “Structure”, and “Scene” (<—actual subchapter headers in Escamilla’s book, just FYI) but with a definite horror slant.

This spookily delicious little book comes with a multitude of writing exercises to help you perfect your rage-fueled dismemberments writing craft and, as the back cover of Escamilla’s book states: “introduces two new writing methodologies: The Basement Method and the Horror Pinch Theory”. (Where you can dig up the book: https://bookshop.org/books/write-horror-good-enough-to-wake-the-dead/9781092372473.)

I’m loving the exercises Escamilla provides but time will tell (if I ever get the bloody thing done) if my horror book will be “Good Enough to Wake the Dead”.

I have my beta readers already selected from the inhabitants at the local Wichita cemetery, but no word if any of them are willing to double as sensitivity readers, yet! They’re proving to be quite the silent type, I’m afraid. And so I wait.

Six Things Saturday: Mini-Interview with Author/Musician Ben Fitts

I switched things up a bit this week! Enjoy the awesome “Six Things Saturday” interview with author and musician Ben Fitts!

Willow Croft: Bizarro as a literary genre is still somewhat new to me (but I’m working on remedying that!). What appeal does the Bizarro genre hold for you as a writer, and, if you were looking back on it years from now, would you classify it as a literary/artistic movement, a subculture movement, or both?

Ben Fitts: Bizarro first appealed to me as a reader because I’ve always loved offbeat art and entertainment, especially when it came to comedy, so bizarro essentially felt like a more extreme version of something that I already knew I liked. It was kind of the same way I felt when I first heard Black Flag as a teenager after years of already listening to the Ramones. But the thing about bizarro that really appeals to me as a writer is the sense of absolute freedom I have when writing. Not only do I feel no pressure to make sure that everything feels believable as I do when writing more realistic fiction, but I’m free to revel and find humor in intentional lapses of logic, paradoxes, and general unbelievability. When all of that is on the table, then I’m really free to make just about anything I want happen in the story. Regarding the last part of that question, I’d call it a literary movement more than a bonafide subculture, because it’s not really linked to other artistic practices or self-identity the way full-fledged subcultures are. You can read punk authors like Kathy Acker and John Cooper Clarke, listen to punk bands, dress in punk fashion, call yourself a punk and more, but you can only really do one of those things with bizarro, at least as of now.

Willow Croft: How would you see the punk rock movement and DIY mentality persisting into the year 2021 and in the current/next generations?

Ben Fitts:  I think music and art in general is starting to become more genre-fluid, and punk is no exception. With the internet and streaming services, it’s way easier to come across new music nowadays, especially the more underground stuff. Because of this, young musicians are coming across and are influenced by a far wider range of different musical styles than many musicians from past generations have. A lot of those really niche genre labels you hear floating around nowadays, like blackgaze or hypnagogic pop, come from people having to come up with ways to market their music after the fact. So I do see punk rock musical and cultural influences persisting in DIY music scenes, but I also see it continuing to blend further with outside influences and with more and more microgenre labels popping up, and there’s nothing wrong with that. 

Willow Croft: What’s the most “Bizarro” i.e. surreal, humorous, and strange situation you have found yourself in, in real life?

Ben Fitts: I went to a rural college where we had lots of parties deep in the woods. These woods parties were a ton of fun, but it was often difficult to find your way out of the woods late at night, and I often got lost when I decided it was time to head home. When leaving these parties, I on two separate occasions accidentally stumbled upon a bonfire around which a bunch of furries were having an orgy while fully in their animal costumes. I’m guessing these furries were probably students who did this sort of thing in secret, but since everyone had their masks on, I guess I’ll never know for sure. 

Willow Croft: How do your music projects (your bands Capra Coven and War Honey) tie into your writing ventures? Are they complementary of each other, or separate?

Ben Fitts: They are pretty compartmentalized for me. Music is what I went to school for and how I pay my bills as an adult, while my writing started out as a casual hobby that ended growing more serious than I would have anticipated at first. So my musical endeavors end up taking up more of my energy and add to my stress levels, while my writing is more like a playground for me to have fun and be creative without really worrying about marketability too much. 

Willow Croft: One of the little bits of me that I still feel is a little bit “alternative” is that I despise the standardization of the educational system, which strips kids of any sort of individuality in some insane quest to be perfect—perfectly conformist—and deprives them of any opportunity to explore all the selves they might want to be. Personally, I see you as a great role model for kids in regards to living a creative, exploratory life, so what would you say to kids and young people as they begin to take over the fucked-up world we’ve left for them?

Ben Fitts: First off, thanks for saying that! I hope I’m a good role model to the kids and teenagers to whom I give guitar lessons, but it’s obviously something I worry about sometimes, as I think everyone who works with kids does. My main advice to kids is to question everything you’re told and to keep your critical thinking skills sharp. Between school, parents, belief systems, and other institutions, we have a lot of information and opinions dumped on us as we grow up. Some of it is helpful and some of it is bullshit. Part of becoming a capable and happy adult who contributes positively to the world around you is sorting out all of the bullshit you absorbed as an adolescent, and then adjusting your worldview appropriately. 

Willow Croft: To end things on a lighter note, I’ve included my usual food-based question! I noticed that your Goodreads profile mentions “you put too much hot sauce on everything”. So, please share, what’s your favourite form of liquid torture (aka hot sauce)?

Ben Fitts: I do like hot sauce! There’s a great brand from Pennsylvania called 22 Peppers that I love. 

Keen to know more? Visit Ben Fitts at his links below: